Jose Luis Cuevas

Artwork

Four Animals (77/100), 1968

Jose Luis Cuevas

Four Animals (77/100), 1968

Color Lithograph, signed

18.75 x 25.63 in

$2,400.00

1
Jose Luis Cuevas
Modern Mexican Artist A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. Cuevas was born in Mexico City in 1933 or 34. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print Biennial, San Juan, Puerto Rico, 1977. Cuevas was awarded the National Prize for Fine Arts in Mexico in 1981 and represented Mexico at the 1982 Venice Biennial. In 1992 the Museo Jose Luis Cuevas was inaugurated in Mexico City. José Luis Cuevas (b. 1934) is a self-taught drawer, engraver and sculptor. He left the Escuela de Pintura, Grabado y Escultura "La Esmeralda" after a single course. During the 1950s Cuevas was very active in the "Rupture Generation- Generacion de Ruptura" that looked for a break from the Mexican mural painting school and its social content message. He has had individual shows in Washington, Paris, New York, Rome, Venice, Sao Paulo, Vienna, Madrid, Santiago. Cuevas has won many awards including the Drawing Prize at the V Biennial of Sao Paulo (1959), the National Prize of Science and Art of México - the highest distinction of the Mexican Government for scientists and artists (1981); he was admitted as a Gentleman of the Order of the Arts and Letters of the French government (1991). Cuevas has a unique style that clearly identifies his work. In 1997 he was honored with the Tomas Francisco Prieto Award in Engraving bestowed by Queen Sofia , Madrid, Spain. Cuevas writes a weekly column in Excelsior, one of the main México City newspapers. The José Luis Cuevas Museum in México City honors his contribution to art and displays contemporary art collection of the artist.
Artist