Honore Daumier

Artwork

Caricaturana (Plate No. 27) DL 381 Robert Macaire Negociant, 1837

Honore Daumier

Caricaturana (Plate No. 27) DL 381 Robert Macaire Negociant, 1837

Lithograph 2/2

14.25 x 9.50 in

$1,250.00

Deux Ex Capacites De L'Ancien Regime-Profils Contemporains #1  II/II  LD 1757, 1848

Honore Daumier

Deux Ex Capacites De L'Ancien Regime-Profils Contemporains #1 II/II LD 1757, 1848

Original Lithograph on Sur Blanc (white woven) paper

9 x 7.63 in

$1,600.00

Robert Macaire Banquier et Jure, 1836

Honore Daumier

Robert Macaire Banquier et Jure, 1836

Original lithograph 1/2 D. 371 (Charivari)

14.25 x 9.50 in

$1,150.00

Ce Matin Avant L'Aurore... (Moeurs Conjugales No. 4) Loys Delteil #627, 1839

Honore Daumier

Ce Matin Avant L'Aurore... (Moeurs Conjugales No. 4) Loys Delteil #627, 1839

Original Lithograph, 2nd state of 3

9.25 x 9.25 x 10.62 in

$1,950.00

Histoire Ancienne (Plate No. 49) LA MORT DE SAPHO 2nd State (rare) Delteil #973, 1843

Honore Daumier

Histoire Ancienne (Plate No. 49) LA MORT DE SAPHO 2nd State (rare) Delteil #973, 1843

Lithograph, hand colored

9.38 x 7.38 in

$3,600.00

Robert Macaire Commis Voyageur, 1836

Honore Daumier

Robert Macaire Commis Voyageur, 1836

Original lithograph 1/2 D.368 (Charivari)

14.25 x 9.50 in

$1,150.00

CROQUIS D'ÉTÉ (Plate No. 5) LD 3203, 1859

Honore Daumier

CROQUIS D'ÉTÉ (Plate No. 5) LD 3203, 1859

Lithograph, 2nd State

8.63 x 10.63 in

$3,600.00

Le Nouveau Costume Des Cochers-Actualites III/III LD 3238, 1860

Honore Daumier

Le Nouveau Costume Des Cochers-Actualites III/III LD 3238, 1860

Original Lithograph, #129, third state of three states

8.75 x 11 in

$2,050.00

Une Application Utile Du Diamant Magnetiseur-Actualites LD 3230, 1860

Honore Daumier

Une Application Utile Du Diamant Magnetiseur-Actualites LD 3230, 1860

Original Lithograph, #140, 2nd state of 3

8.50 x 10.75 in

$2,400.00

De Quoi! De Quoi! Votre Dot?, 1837

Honore Daumier

De Quoi! De Quoi! Votre Dot?, 1837

Original Lithograph 3/3 D.390 (Charivari)

14.25 x 9.50 in

$1,150.00

Ou Allons-Nous, Ou Allons-Nous?  Nous Marchons Sur Un Volcan  LD 89 Where are we going, where are we going?  We are walking on a Volcano, the Abyss of Revolution is open below our feet, 1834

Honore Daumier

Ou Allons-Nous, Ou Allons-Nous? Nous Marchons Sur Un Volcan LD 89 Where are we going, where are we going? We are walking on a Volcano, the Abyss of Revolution is open below our feet, 1834

Original lithograph, signed in stone

8 x 10 in

$4,800.00

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Honore Daumier
Artist & Painter, but best known as a Caricaturist and satirist Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked", or even in the sketches in the Ionides Collection at South Kensington. But as a painter, Daumier, one of the pioneers of naturalism, was before his time, and did not meet with success until in 1878, a year before his death, when Durand-Ruel collected his works for exhibition at his galleries and demonstrated the full range of the genius of the man who has been well called the Michelangelo of caricature. At the time of this exhibition Daumier, totally blind, was living in a cottage at Valmondois, which was placed at his disposal by Corot, and where he breathed his last in 1879. An important exhibition of his works was held at the École des Beaux-Arts in 1900. Honoré Daumier (February 26, 1808 – February 10, 1879) was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century. A prolific draftsman who produced over 500 paintings, 4000 lithographs, 1000 wood engravings, 1000 drawings, 100 sculptures he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized.
Artist